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Jeff Mahshie’s costumes toggle among Renaissance motley, 1950s casuals and timelessly smashing outfits for Lilli. Carlyle’s often thrilling choreography offers a bountiful assortment of takes on male-female physicality.
That production bumped up the role of Harrison Howell, Lilli’s fiancé, from vague Southern gentleman to Mac Arthur-like general.
Meant to highlight Lilli’s choice between safe conformity and difficult freedom, the character still feels as shoehorned as the Porter standard (“From This Moment On”) interpolated for him to sing.
And “Brush Up Your Shakespeare,” usually a double-entendre showstopper for two comic gangsters (John Pankow and Lance Coadie Williams), just slows the show down instead.
John Guare’s 1999 script revisions, retained here, don’t help.